摘要:
Takiyah Nur Amin’s citation of Alice Walker directly speaks to the need for this volume. Alice Walker once said, “People are known by the records they keep. If it’s not in the records, it will be said that it did not happen” (237).Are You Entertained? Black Popular Culture in the Twenty-First Century, an anthology edited by Simone C. Drake and Dwan K. Henderson, creates a reflective record of a wide range of Black art and popular culture in the twenty-first century. The methodologies of this text work across genres, including fiction, professional sports, cartoons, cabaret performances, and beyond, to highlight, examine, and theorize the “Black” in Black popular culture. Various mediums are analyzed, encompassing social media, radio, television, cartoons, professional athletics, theater, dance, and more. Significant cultural milestones include Grammy performances, the first Black US president, and big-box movies that feature Blackness and Black people to create and perpetuate the popular culture. From this eclectic Africanist matrix, the authors probe how Black entertainment can be a tool of resistance, embodiment, and *** Omi and Howard Winant’s racial formation theory foregrounds the book’s analysis of race generally and the ways in which Blackness specifically is socially constructed and lived out daily by Black people. The authors confirm a race-conscious framework and a rejection of a post-racial ideology. Since Blackness has been mass-produced, commodified, and consumed to accommodate the increased desire for information and profit of non-Black people, the contributions investigate various ways Blackness has transcended Black bodies and entered American culture. Due to the long history of erasure and invisibility of the contributions of Black people in the entertainment industry, scholarship and records focused on critically engaging Blackness become crucial. Interdisciplinary explorations of agency and power within Black bodies and Black art h