教学课程资源库 更多>>

关键词： 新时代   马克思主义妇女理论   创新发展  

摘要： 新时代妇女发展离不开创新理论的指导，习近平总书记关于新时代妇女发展重要论述开辟了马克思主义妇女理论创新发展的新境界。本文基于新时代马克思主义妇女理论创新发展的理论逻辑、历史逻辑与现实逻辑三者有机统一的研究进路，阐释新时代马克思主义妇女理论在时代主题、目标任务、发展途径等核心问题的创新发展，从实践维度为贯彻落实男女平等基本国策，加强妇女思想政治引领，加强家庭家教家风建设、维护妇女权益等提供理论遵循和实践指南。

关键词： 资本论   剩余价值   马克思主义政治经济学  

摘要： 在当代经济社会活动中，运用马克思主义政治经济学原理阐释现实的价值原理已成熟且成果丰富，但对于意识形态领域的形象的价值观念研究相对薄弱。面对这一议题，部分学者聚焦于图像学问题域中的形象价值问题，进而提出形象的剩余价值理论。形象的剩余价值理论不仅是对马克思剩余价值理论的现代阐释，也是马克思的剩余价值理论在意识形态方面的当代发展，更是从形象视角基于马克思主义的政治经济学的新解读。

关键词： alienation   class   gender-bender   homosexuality   hybridization   indigeneity   labor   marxism   post-coloniality   queering   queerness   shamanism   异化   阶级   性别转换   同性恋   杂交   土著性   劳动   马克思主义   后殖民性   酷儿   酷儿性   萨满教   Alienación   Clase   cambio de género   homosexualidad   hibridación   indigenidad   trabajo   marxismo   poscolonialidad   queering   queerness   chamanismo  

摘要： This thesis engages in a “queering” of two South Korean television dramas, “Coffee Prince,” or “커피 프린스 1호점,” aired in 2007, and “Secret Garden” or “시크릿 가든,” aired in 2010, by exploring the complex representations and visuality of gender fluidity in tandem with queer, Marxist, and postcolonial theory. “Coffee Prince” and “Secret Garden” were two dramas that found widespread popularity, but are unexplored in terms of greater theoretical and societal implications as well as queer themes. In engaging with a “queering” of these two dramas that were not seen as explicitly queer, I aim to root queerness within Korean identity and culture, therefore engaging in a radical re-evaluation of queerness as inherent to, and supported by, Koreans, despite the fact that queer people are actively marginalized and oppressed in modern-day Korea. This article is overall split into two parts, with each part focusing on one drama, with specific subsections in regard to each drama. I will begin with analyzing “Coffee Prince,” first establishing the ways in which the drama plays into the visuality of yaoi or BL to garner female viewership, then analyzing the drama's homosexual implications, and finally examining in detail the labor-related circumstances of Eun-Chan's masculinity. In the second half, I will shift focus to “Secret Garden,” exploring the ways in which Ju-Won and Ra-im's inability to communicate as a result of class aligns with Marxist ideas of alienation, how Ra-im's class status and labor necessitates masculinity to be her public persona and femininity a private one, and finally the capacity for their body-swapping to foster understanding across class boundaries as well as connections to Korean shamanism. 本文通过探究性别流动性的复杂表现和视觉效果、以及酷儿、马克思主义和后殖民理论，对两部韩国电视剧《咖啡王子》（或称《咖啡王子一号店》）和《秘密花园》进行了“酷儿化”。《咖啡王子》和《秘密花园》在更大的理论启示和社会启示以及酷儿主题方面仍未得到探究。通过对这些看似非酷儿的叙事进行酷儿化，我认为，酷儿性是韩国身份和文化的内在组成部分。 Este artículo aborda la “queerización” de dos dramas televisivos surcoreanos, “El príncipe del café” o “커피 프린